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A lot can happen in one session, and after a week (or two or three, depending on how busy players’ lives are) has passed in real time, it might be hard to remember everything that transpired the session before. So make notes of important plot points, especially ones that were relevant to one’s own character, to avoid feeling lost once everyone rejoins to play again. The character sheet has plenty of space for note-taking – and if it runs out of room, feel free to attach more paper.
This is a simple one. You as the GM of the game do not have to be completely in charge of everything that happens in the world. RPGs are, for the most part, designed to be played as a group. And sometimes the rest of that group should be given the reins from time to time. One of your strongest tools in the RPG toolbox is literally just asking your players questions. What do you find? How do they respond? What does it feel like? They can be little flourishes of player control or massive plot-defining moments handed over with love and trust to the player who it means the most to. This isn’t unprecedented, by the way. You’ll often see things like this in modern RPGs. In Blades in the Dark, your players create the quests and some of the NPCs – they invent the magical items, choose their adversaries and define the stakes at hand. It’s a pretty common thing for D&D dungeon masters to ask the player to describe what happens when they critically hit an enemy, giving them a cool flourish after a big chunk of damage.
Keep in mind the difficulty check, known as the DC, on rolls. This is especially important for the Dungeon Master. The DC is the number that needs to be met or exceeded to succeed whatever is being attempted. Easy actions, opening an unlocked door, for instance, have a low number usually 0-10. Medium actions a medium number 10-15, and hard actions a high number 15-20. When planning your challenges, keep those in mind. Speaking of success and failure, don’t be afraid to lean into any negative characteristics your character may possess. Whether it’s from a poor attribute (low Dexterity, Strength, for example) or because you just wanted a character that is a kleptomaniac, flaws are what create depth. They are also often what a player loves most about playing. My own character, Althea, is an optimistic Druid with horrible Charisma. She is stubborn and tries to take every problem on herself. She can’t communicate with others well, so she just doesn’t.
You shouldn’t feel bad about sitting down to GM and not having a full grasp on every rule in the book. If you’re confused about how something works in play, don’t panic. You can improvise what happens in the moment and check on the rule later, or even pause the game briefly to give your players a break whilst you read the rulebook. Whatever you need, just do it. No-one is going to be upset that you don’t have an encyclopedic knowledge of how the game works on day one. (If they do, they probably suck – maybe don’t play with them.)
D&D gives players an incredible amount of freedom in their roleplaying – so new players should give themselves an interesting role to play! Choosing a race, class, and background is important, but thinking about what they mean for an individual helps breathe life into a character. Sketch out this character’s upbringing, their core personality traits, impactful events in their lives, and what led them to strike out on their adventure. Once players do this, it’ll be easy to picture how their character reacts to an ogre rushing at them, an NPC telling a lie, or a fellow party member engaging in wild antics. It can also make the game much more rewarding. If players are invested in their fictional character, it’s natural to want to know what will happen to them next, to want to take them on a journey to achieve their goals. Discover even more details on https://dnds.store/.
